Mitchell got there in late ’67, with Crosby producing her debut album at that time. Others are defending the omission, if grudgingly, by noting that the movie limits itself to the time between 1964 (with the advent of the Byrds and the rise of folk-rock) through 1967 (when David Crosby was booted from the band and Neil Young left Buffalo Springfield, the other greatest band of that scene).īoth sides of that argument are partly right and partly wrong. Or more to the point, who isn’t - specifically Joni Mitchell, an artist as identified with the rich legacy of that landscape as anyone. For many music insiders and fans who contributed to the very impressive opening weekend gross ($103,716 in just two theaters, touted as the second best per-screen average so far this year), a good deal of the chatter has been about not what’s in the movie, but what isn’t.
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